VIRTUOSO FRETBOARD TRAINER

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THE ULTIMATE APP TO BECOME THE ULTIMATE MUSICIAN

Let me ask you a question…

If you could easily play every single combination with both your left and right hands, how good do you think you’d be?

Let’s picture that for a second…

You have your stringed instrument in hand (I’m a guitarist so I’ll refer to that but this could be any fretted instrument), and no matter what combination of fingering and picking you have to play, it’s both easy and comfortable…

Up and down the fretboard, jumping across strings at high speed but yet it’s like slow motion to you… There’s no stress at having to play such a complicated composition, in fact you can take it all in, absorb and enjoy the moment… 🍿😊

Where are you – on stage? in front of friends? at an audition? Some of you might be tempted to say… in a dream! 🎸😎

Well I can assure you it’s not a dream…

The reason you feel amazing, proud and in control, is because you’ve reached the pinnacle… the top of the mountain… you’re now an elite musician… the one thing you always wanted to be. 🧗🏆

But how did you get there so fast?

Well by hard work (sorry we haven’t created an app to relieve us from that… yet 😛), focused practice and advanced music learning software that will push, teach and guide you to becoming a virtuoso musician.

Learning the guitar is a mammoth task. For many (most), they will practice years/decades and never get past intermediate level.

Why?

Well, there are many reasons such as:

⛔ Inefficient practice routines

⛔ Only ever playing the same material

⛔ Never learning music theory

⛔ Not understanding scales

⛔ Many more…

There’s an ocean of material to help you as a beginner and learning to play your favorite songs is not that difficult.

You can be up and playing in just a few weeks, and of course if that’s your objective then that’s completely fine.

The problem is, to go beyond that to reach an advanced level, things suddenly become much more complicated.

Knowing where the root is for a chord or scale is a million times harder if you don’t know where to find the notes.

Virtually all guitarists, new and old are told to memorize the fretboard but very few ever achieve this – why?

Well, first of all, if you’ve ever tried to learn then you will understand me when I say it’s TEDIOUS. It’s takes forever to learn all the notes by heart going up and down the frets, over and over, string by string.

Most people quit and move on long before they’ve figured out the ‘E’ & ‘A’ strings, as they quickly see that it will take them weeks/months or even years!

 

That’s the Bad News… But Do You Want to Hear the Good News?

We DID IT!!!

We figured out a system that makes learning the fretboard both fun and easy.

Imagine having the best guitar instructor in the world by your side, whenever you need them, and they tell you exactly what to do, how long to do it for, what to practice next… They monitor your progress, show you where you’re going wrong (and how to correct yourself)… You have carefully constructed lessons, you have a clear path to success…

All you need, is to have the motivation to do the work – unfortunately, we can’t do that for you 😊

BUT…

Because you have everything clearly laid out for you, it certainly won’t take you years to master and if you follow the steps and dedicate just 30 minutes to learning daily, it won’t even take you months.

In just a few short weeks, you’ll have mastered what many have struggled with for DECADES!

But before I tell you all about it, let me first explain who we are…

master guitarist and expert on the fretboard

WHO WE ARE AND WHY YOU CAN TRUST US

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master bass guitar player

VIRTUOSO MUSIC ABILITY FOR VIRTUALLY ANYONE

firtual fretboard trainer music learning software to create virtuoso musicians

The training strategy of this course is based on a complete and progressive cycle of exercises that will gradually train every possible movement of both your left and right hands. The training strategy of this course is based on a complete and progressive cycle of exercises that will gradually train every possible movement of both your left and right hands.

All fretboard instruments are supported — guitar, bass, violin, mandolin, banjo, etc. — as well as all right-hand techniques: pick, fingerstyle, bowing, and so on. Left-handed instruments and custom tunings are also fully supported.

All skill levels are supported, from beginner to super-advanced.

There is no music theory to study, but you do need to clearly understand the training strategy of this course to get the best possible results.

This will include things like “single-string” and “multi-string” phrases, the “training rounds” system, the “progress maps”, etc.

For example, here you can see a “progress map” showing a guitar player’s improvement over about 2 months of training. The vertical blue lines show the daily practice time, the raising lines show the increase in speed from one day to the next, and at the bottom are the different single-string training phrases.

virtuoso fretboard trainer music learning software progress map

You have virtuoso skills when:

✔️ You can articulate any musical phrase with speed and precision
✔️ Your left hand can play complex musical phrases using all four fingers in any order and combination, effortlessly
✔️ Your right hand can play notes on any sequence of strings, with speed and precision, effortlessly
✔️ Your left and right hands are highly synchronized, resulting in maximum speed and precision
✔️ You can play with feeling, with a great sense of time, with “groove”

The more you will advance on this course and master these skills, the more you will become free from technical problems, and the more your attention will be free to focus on the most creative and enjoyable aspects of music: expression, groove, improvisation quality, and so on.

Let’s find out exactly what is needed to achieve that…

 

Virtuoso Recipe

 

The musical ability we call “virtuosity” is actually the combination of a few different ingredients:

1. Left-hand skills
All four fingers of your left-hand need to be strong, fast, and precise. They need to be able to press the right string at the right fret at the right time, in whatever sequence it is required.
For example, it’s fairly easy to play a musical phrase where you left-hand fingers go “1234” on the same string. On the other hand, if you need to play, say, “2431” on different strings, then it’s a lot more difficult.

 “Single-string” training is designed to give you effortless mastery of every possible left-hand movement. Because of that, this course is designed to train your left-hand fingers to play in any position, and in any possible combination of frets and strings.

2. Right-hand skills
If you look at the right-hand of a guitar, bass, or violin player, you see it dancing on the strings, playing one or more notes on a string, then one or more notes on another string, and so on, performing a complex and unpredictable sequence of flowing movements, some of them apparently easy, others much more difficult.

For example, if you play a sequence of notes on the same string, your right-hand will have an easy job. Alternatively, if you have to play, for example, two notes on one string, then two notes on the next string, and then two notes on the string after — then the job of the right-hand will be more difficult (because of the string change), but not excessively so (because of the even pattern of two notes per string, and the easy changing from one string to the next in a regular way.)

On the other hand, if you for example have to play three notes on a string, then one note on the next string, then another three notes on a different, far-away string — then the job of the right-hand is a LOT more difficult than before, because the sequence is uneven and includes non-adjacent string jumps.

As a result, you will only be able to play that very slowly, and/or make mistakes, and/or with poor precision and poor control over the resulting sound.

Now, to become a skilled player, your right-hand needs to be able to play any number of notes on any string, followed by any number of notes on any other string, near or far, with ease and effortlessness.

And this is exactly what this course is designed to do for you: train your right methodically until you can play fast and precisely on any combination of different strings.

The “Multi-string” trainer helps you practice all the right-hand movements that are needed to play every possible musical phrase with mastery.

And by the way, notice that this principle remains the same regardless of how you play the notes — with a pick, with your fingers, with a bow, or with any other method. Regardless of the right-hand technique you use, this method will ensure that you become equally skilled in any possible movement that you will need in your everyday playing.

3. Left-right coordination skills
If training your left-hand is “Task A”, and training your right-hand is “Task B”, there is one more “Task C” which is required: training the two hands to work well together, with excellent coordination.

Be aware that Task C doesn’t happen automatically if you only do A and B separately. You also need to do coordination training specifically to get the best results.

So, how do you ensure that?

In this course, to this end, the various exercises are subtly designed to fall into 3 groups:

Exercises where the right-hand has an easier job (so the left-hand gets trained more intensely — Task A).
Exercises where the left-hand has an easier job (so the right-hand gets trained more intensely — Task B).
Exercises where the difficulty for the left and right hands are similar, and where progress mostly comes from improvement in left-right coordination. That’s Task C.

If you use this course and follow the recommended guidelines, you will automatically do all 3 kinds of exercise in a balanced way, without having to think about it.

The VFT multi-string exercises train you with multiple left-hand fingerings combined with multiple right-hand string sequences, so you develop a high degree of left-righthand synchronization and skill. Otherwise, if you don’t use this course, or if you use it in a very different way from what is suggested, then I’d still recommend that you pay special attention to ensure a balanced training from this point of view.

And this is important because most people, without realizing it, typically over-train one area (e.g. left hand) while comparatively neglecting the others (e.g. right hand, coordination, groove). As a result, they achieve much less progress than their time and effort should have produced, which is a pity.
In any case, if you use this course and at least roughly follow the recommended training strategy, everything will work for the best and you will see a lot of progress over time.

4. Groove
Ultimately, the goal of making music is to enjoy it — both the musicians and the listeners.
If one only has good technique but plays mechanically, without expression, like a computer, then clearly something is missing, and neither the musician nor the audience will truly enjoy it.

Great music, enjoyable music, isn’t just good technique but it also contains qualities that make it expressive, exciting to play and listen.

For simplicity, let’s use the word “groove” to indicate all those qualities.

This groove, this expressiveness, comes from controlling certain subtle elements in your playing:

  • The way you accent notes differently
  • The way you deal with time, choosing to play exactly on the beat, or slightly ahead or behind, according to the result you want to achieve
  • Your left-hand control: how you press the strings, bend the notes, where and how you use vibrato, how you subtly change the fingering, and so on
  • Your right hand control: your touch, how you hit the notes to produce different sounds, volumes, and note attacks
  • Your posture: At one extreme, with instruments such as violin or fretless bass, the sound produced depends a lot on the musician’s posture. At the opposite extreme, e.g. with the piano, the impact of posture is less

Groove is also a highly personal and complex quality that depends on instrument, genre, style, personality and many other factors.

The way to “groove” a rock bass line, a jazz guitar solo, or a Paganini piece on the violin are very different from each other, and also quite different from one musician to another.

For that reason, even though groove is a key ingredient of virtuosity, this course cannot include a mechanical, step-by-step “method” for developing it. It just wouldn’t work, or at the best best it would turn you into the bad copy of some other musician.

But other things can be done. As you go on with the course you will find many training tips, practice guidelines, suggestions, and special training settings that will help you develop your own great groove.

The trainer includes the above groove-building settings to help you develop a great touch, sense of time, and the ability to play with great feeling and expressiveness.

You will find these pointers throughout the course, and the more you will pay attention to this aspect of your playing and your training, the more you will become not just a good musical “technician” but truly a great musician in every way.

HERE’S WHAT YOU’RE RECEIVING

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BONUS #1 EXCLUSIVE ACCESS TO OUR PRIVATE FB GROUP

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woman playing guitar and mastering the fretboard

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ABSOLUTE FRETBOARD TRAINER

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$149

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ABSOLUTE FRETBOARD TRAINER

$75

 

$149

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